{"product_id":"when-the-day-begins-to-fade-diptych","title":"When The Day Begins To Fade — Diptych","description":"\u003cp\u003eARTWORK DESCRIPTION\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWHEN THE DAY BEGINS TO FADE — DIPTYCH\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eWhen the Day Begins to Fade\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is about the small lives carrying on around us when we are not really looking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is a particular feeling to a woodland towards the end of an autumn day. The light begins to disappear between the trees, leaves move beneath your feet, and suddenly the places that seemed empty a few hours earlier begin to have visitors of their own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSometimes, if we are lucky, our paths cross.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA hedgehog rustles beneath the leaves. A tiny nose appears somewhere it was not a moment ago. And for some reason, most of us stop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNot because anything extraordinary has happened.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSimply because for a few seconds we have been allowed to notice \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eanother little life going about its evening.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat quiet encounter sits at the heart of this two-piece work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePart I\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the poem begins beneath an old autumn tree and imagines the places a small woodland visitor might discover as the day fades — a hollow beneath the roots, a sheltered corner under the leaves, perhaps even an old pumpkin abandoned on the forest floor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSomewhere warm enough. Dry enough. Safe enough to stay for a while.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut the woodland belongs to more than one visitor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePart II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e takes us a little further into the story. One hedgehog has already discovered the pumpkin and settled inside. Another appears through the leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd that is where we leave them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePerhaps they will share it. Perhaps one will decide this particular piece of woodland is already occupied. Perhaps by morning both will have wandered somewhere entirely different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe do not really need to know.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is something lovely about encountering a wild animal and allowing its life to remain its own — being delighted that our paths crossed, wishing it well, and continuing on our way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisually, the diptych moves between observational woodland realism and more expressive Fine Art passages. Autumn leaves, moss, bark and the weathered pumpkin emerge through earthy painterly colour, while areas of graphite-inspired drawing and unresolved warm-ivory paper allow parts of the woodland to disappear almost as quickly as they appear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBroad sculptural-looking paint passages bring weight to the old tree, forest floor and pumpkin without turning the scene into a conventional wildlife illustration. The two hedgehogs remain small within their environment — visitors rather than characters performing for the viewer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eWhen the Day Begins to Fade\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is ultimately about \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enoticing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe rustle beneath the leaves.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe little nose we nearly walked past.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tiny wild life that happened to cross ours for a moment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd perhaps remembering that \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esome stories are better when we don't follow them all the way to the end.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCT DETAILS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA digital \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFine Art Literary Keepsake Diptych by Surreal Mindscapes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, created through a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emixed-media-inspired approach\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e combining original poetry, painterly imagery, graphite-inspired drawing, expressive texture and restrained typography across two coordinating artworks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe diptych consists of:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePART I — WHEN THE DAY BEGINS TO FADE\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe literary piece, combining the original poem with an expressive autumn woodland composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePART II — WHEN THE DAY BEGINS TO FADE\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe coordinating Fine Art piece, continuing the woodland story through the quiet encounter between two hedgehogs and an abandoned autumn pumpkin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two works were conceived together and can be displayed side by side as a complete diptych, while each composition retains enough visual space and identity to stand independently.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted as museum-quality \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGiclée Fine Art prints on Hahnemühle German Etching 310 gsm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — a beautifully textured, heavyweight archival paper chosen to complement the woodland palette, graphite-inspired marks and tactile character of the painterly surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCOLOURWAY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe diptych is created in a rich, natural autumn palette of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm ivory, weathered bark brown, raw umber, charcoal, moss green, burnt orange, ochre and muted antique gold\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart I is quieter and more spacious, with the dark weight of the old tree balanced by a large area of warm-ivory paper surrounding the poem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart II moves further into the woodland, introducing deeper moss greens, damp earth, fallen leaves and the burnt-orange pumpkin while retaining the same charcoal, ivory and muted-gold language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTogether, the two pieces feel connected without becoming identical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAVAILABLE FORMATS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSTUDIO — 2 × 21 × 30 cm\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA smaller, intimate presentation of the complete diptych. The composition and typography of each piece are carefully adjusted to preserve their relationship when displayed together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSIGNATURE — 2 × 30 × 40 cm\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe diptych at its intended scale, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewith clean-cut edges, allowing the painterly surfaces, graphite-inspired detail and quiet narrative presence of both compositions to be appreciated more fully.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a complete two-piece work, the diptych includes a 10% saving compared with two individual Fine Art prints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSmall differences in typography, spacing or placement may appear between formats, as each version is composed specifically for its proportions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe visible paper texture, graphite-inspired marks, unresolved passages, broad apparent impasto and irregular painterly edges are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eintentional parts of the artworks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The sculptural paint effects and subtle metallic-looking details are reproduced within the printed images; the finished Giclée prints themselves remain flat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDISPLAY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two works are designed to sit naturally together as a coordinated Fine Art diptych.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey may be displayed side by side with a small space between the frames, allowing the quieter literary composition of Part I to lead naturally into the fuller woodland environment of Part II.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey can also be displayed separately while remaining recognisable as parts of the same visual story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePERSONALISATION\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA name, date or short dedication may be added subtly to the literary piece in a handwritten style, thoughtfully placed so that it becomes part of the composition rather than competing with the poem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePersonalisation can be kept very simple, allowing the woodland and its story to remain the focus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUNFRAMED\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe prints are supplied unframed. Any frames or styled settings shown in product images are for presentation only.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColours and subtle tonal details may vary slightly between your screen and the finished Fine Art prints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned and created by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSurreal Mindscapes.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Surreal Mindscapes","offers":[{"title":"Studio \/ No thank you","offer_id":54916960354642,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Studio \/ Yes please","offer_id":54916960387410,"sku":null,"price":47.0,"currency_code":"GBP","in_stock":true},{"title":"Signature \/ No thank you","offer_id":54916960420178,"sku":null,"price":56.0,"currency_code":"GBP","in_stock":true},{"title":"Signature \/ Yes please","offer_id":54916960452946,"sku":null,"price":58.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7182\/4210\/files\/WHENTHEDAYBEGINSTOFADE_DIPTYCH.png?v=1790880818","url":"https:\/\/surrealmindscapes.co.uk\/products\/when-the-day-begins-to-fade-diptych","provider":"Surreal Mindscapes","version":"1.0","type":"link"}