Inside The Studio
A closer look at the work, the materials and the ideas behind Surreal Mindscapes.
Some pieces begin with an image. Others with a few words, a memory or a feeling. Some arrive quietly. Others take considerably more persuasion.
Three elements return to my work again and again: graphite, impasto and negative space.
I love graphite for its uncertainty — searching lines and unfinished fragments that feel a little like memory itself: never entirely complete, yet somehow enough.
Sometimes an image asks for words, too — a few lines carrying something the image cannot.
Impasto brings weight, movement and an almost sculptural presence. Sometimes it takes only a few deliberate gestures. Occasionally, considerably more requires a metaphorical shovel.
And then there is what I choose not to fill. Negative space gives the work somewhere to breathe, leaving room for the imagination to complete what is missing.
The idea comes first. The visual language follows.
This is where they begin to take shape.